
NCBD Picks for April 22, 2026: The Comics That Actually Matter
10 min reading time

10 min reading time
New Comic Book Day is Here: Your Guide to This Week's Must-Reads!
This week has a little more range than usual. There’s an obvious crossover headliner, one DC book that still feels like appointment reading, a Spider-Man issue with real story consequence, a Superman issue that is Prime-Time reading, and a pair of indie debuts that look strong for very different reasons.
This is the obvious headliner, and for once, that’s fine.
You don’t need to overthink this one. It’s the kind of book people will want because it exists, and that already matters. The bigger selling point? It’s not just one story stretched thin. It’s a full anthology built around the crossover, with multiple backup stories and a pretty deep creator lineup. That gives it more value than a one-note novelty book. Early reactions around the companion crossover and the build-up to this one have been strong enough that this feels like a real event book, not just a brand exercise.
It’s the book most customers are going to ask about first this week.
The anthology format gives it more to offer than just “Spider-Man meets Superman again.”
This is one of the few books this week that works for readers, collectors, and pure nostalgia buyers at the same time.
This is not a sneaky key. It’s an obvious book, and obvious books are sometimes the right books to own. The bigger collector angle is the cover program and the fact that people will keep talking about it after Wednesday.
This is still one of the best DC books on the wall.
The reason I’d point people to it is simple: it still feels sharp. It's clear Diana is surrounded, unraveling, and being pushed toward a darker choice. The early reader reaction is the kind you want to see from a book this deep into a run. This isn't a title that is coasting on goodwill; the story is still compelling and one of my first reads when it releases.
The reaction around the issue is strong, especially on the art and the tone.
It sounds like one of those issues where the pressure finally catches up to the lead.
If you are staying current on one DC ongoing this week, this is one of the safer bets.
This reads more like a stay-current issue than a spike issue. That said, the run still has enough momentum that falling behind on it feels like a mistake.
If you’ve been following Death Spiral, this is the issue that matters.
This is the finale, and that alone gives it more weight than a lot of weekly Spider-Man books. The hook is strong too: Peter gets pushed into doing the unthinkable, and the story leans hard into a Spider-Carnage angle at the end of the arc. That gives it actual consequence instead of just “big things happen.” It also helps that the general chatter around it is not just about the ending, but about where Carnage fallout goes next.
It’s the end of the current Spider/Venom arc, so it has real story weight.
The Spider-Carnage angle gives the issue a cleaner hook than a typical crossover finale.
This is one of the few Marvel books this week that feels like it might matter both now and later.
This is the one book on the Marvel side this week that has a real key-style feel attached to it. If you care about notable story beats, this is the one to keep an eye on.
This Superman run is getting good.
What makes it work is that it sounds like more than a gimmick. The issue keeps “The Reign of the Superboys” moving and puts Superboy Prime right in the center with a new civilian identity and a new job. This could have read as a throwaway joke, but it seems to be landing as an actual character chapter. It also has Joshua Williamson and Dan Mora, which is already enough to give it a better floor than most weekly books.
Superboy Prime is the hook, and the issue seems more character-driven than the premise first suggests.
Williamson and Mora is a real selling point on its own.
If you’re on this Superman run, this looks like one of the issues that gives the current direction some real personality.
This is not a major key or arc book to me. It's more like a stay-current Superman issue; hopefully, Prime sticks around for a while.
If I’m pushing one straight-up horror debut this week, it’s this.
The pitch is good, but more importantly, the response is good. A young girl in war-torn France loses her father, gets him back from the dead, and ends up in a dark fantasy-horror quest through violence, grief, and black magic. That can go wrong fast if the tone is off. The early reviews suggest it does not. The praise is mostly about mood, atmosphere, and the art doing a lot of the heavy lifting, which is exactly what you want from a book like this.
The atmosphere seems to be the real selling point.
It looks like a horror debut that actually understands tone.
It is an easy book to hand to somebody who wants something dark and different from the superhero stack.
This is an early-run indie/horror buy. These books, if they land, really pick up some steam.
We also have some minor keys this week:
Sorcerer Supreme #5 - 1st appearance of the Blazing Hound
Infernal Hulk #6 - Debut of Iron Man's Hellbuster armor
This week’s best cover, for me, is probably the Sanford Greene Spider-Man/Superman #1 or the Erik Larsen variant. I also really dig Jim Rugg's work, so that's definitely a pick up for me.
Buy because it’s the obvious headliner
Marvel/DC: Spider-Man/Superman #1
Buy for story
Absolute Wonder Woman #19
The Amazing Spider-Man #27
Superman #37
Buy for early-run value
Corpse Knight #1
In Your Skin #1
Not a bad week.
A crossover people are going to want no matter what. A Wonder Woman book that still feels like one of DC’s best. A Spider-Man issue with a real story beat attached to it. A Superman issue that sounds better than the premise has any right to. And two indie debuts that both have a good shot at sticking for different reasons.
That’s a solid NCBD.
Shop new comics now and grab the books worth owning before the best ones are gone.
Happy New Comic Book Day from Bound 4 You Comics.